THE BUTTERFLY MAN

LALA POP

LADY ON THE BEACH

ON TOUR

Lady on the Beach 2017

Dansens Hus



Lala POP 2016

MERCAT DE LES FLORS // CASA DE LA DANSA

Årvoll gård


The Butterfly Man 2016

Bærum Kulturhus

Dansens Hus


Bzz BZz dada da bee
2016

Klimafestivalen

Årvoll gård

Asker Kulturhus


Oh, Marja fly,fly
2015

Dansens Hus


Lala POP
2015

Asker Kulturhus

Bærum Kulturhus


Lala POP
2014

Dansens Hus


Bzz BZz dada da bee
2013

Dansens Hus

Sandnes Kulturhus

Bærum Kulturhus


Å, Marja fly,fly
2012

Scenic art expo & Mini midi maxi festivalen, DNS

Asker Kulturhus

Bærum Kulturhus

Dansens Hus

Markedet for scenekunst



 

 

 

2011 The Secretive Garden

Showbox, Black Box - Scenekunstbruket, Oslo

Bærum Kulturhus

2010 Oh, Marja fly,fly

Barcelona, Teatre Mercat de les flors

UK, Woking Dance Festival


2009 Oh, Marja fly,fly

Düsseldorf, Tanzhaus nvw

Reykjavik, Leikhusidt

Oslo, Kanonhallen

Oslo, Trikkehallen Kjelsås

Bærum Kulturhus

Drammen Teater

Dansens Hus


2007 Inside My Globe

Foredragshallen Deichmanske, Dansens Hus

Oslo, Trikkehallen Kjelsås

Verdensteatret Sandefjord

Asker Kulturhus

Bærum Kulturhus

Hammerfest, Barentsfestivalen

Harstad, Festspillene i Nord-Norge


2006 Inside My Globe

Foredragshallen Deichmanske, Dansens Hus

Showbox, Black Box - Scenekunstbruket

Ultima-festivalen, Atrium Oslo


2005 The Fire of Life Burns Even in Hard Stone, DKS

Nordseter skole

Skatellet skole


2004 The Fire of Life Burns Even in Hard Stone, DKS

Munchmuseet, Aulaen


2003 The Fire of Life Burns Even in Hard Stone, DKS

Munchmuseet, Aulaen

 

 

  • The Gospel According to Thomas, Grusomhetens Teater, Oslo 2004

     

    This production received Performing Arts Hub Norway's stagecraft award for a comprehensive, enigmatic and visually strong performance.

     

    The Gospel According to Thomas is a performance based on the so-called fifth gospel, which consists of 114 quotes from Jesus. The quotes concern epistemology and knowing oneself, which the Christian church found to be disturbing and dangerous.

     

    Grusomhetens teater - The Gospel According to Thomas

     

    Idea and direction: Lars Øyno

    Music: Lars Pedersen

    Choreography: Inger Cecilie Bertrán de Lis

    Set design: Thor Eriksen/Christina Lindgren

  • Hamlet - a partykiller, Tidens teater, Oslo 2005

     

    A modern and absurd production of Hamlet.

     

    Ballade.no - advance publicity

     

    Direction: Harald Vallgårda

    Music: Jørgen Rief, Kjetil Draugedalen

    and Trond Slåke

    Concept and script adaptation: Brekke/Vallegårda

    Set design: Klaus Henning Jager

    Choreography: Inger Cecilie Bertrán de Lis

  • The Lady from the Indian Ocean, Oslo Nye Centralteatret, 2006

     

    ”Choreographer Bertran de Lis' work is the centrepiece of the performance”

     

    ”Choreographer Inger Cecilie Bertrán de Lis adds a physical language to the production that both replaces and complements Ibsen's text. As far as I can see, the dance functions based on Bollywood's aesthetic principles of visualising the characters' internal longing, dreams and fantasies. And they are legion in this production by Erik Ulfby.”

    -Klassekampen 27 March 2006

     

     

    Bollywood Ibsen, The Lady from the Sea, received the Hedda Award, which is Norway's most prestigious theatre award for "a scintillatingly exotic and entirely different performance".

    The performance takes on Henrik Ibsen's play The Lady from the Sea, and mixes it with elements from one of the world's most popular cultural expressions, namely Indian Bollywood films. The result is the performance The Lady from the Indian Ocean.

     

    Direction: Erik Ulfsby,

    Choreography: Inger Cecilie Bertrán de Lis

    Set design: Arne Nøst,

    Adaptation: Erik Ulfsby

     

    Photo: John Hughes

     

    Mirasenteret.no - review

  • The Frankenstein Heritage, Theatre Manu, Oslo 2007

     

    Norwegian sign language theatre. A performance that addresses the heritage from Frankenstein. What happens when we are seeking out the perfect human?

    What happens when we experiment with our own lineage, will we have a better life or will this lead us into unknown tragedy?

     

    Scriptwriter: Hilde Haualand

    Direction: Lars Otterstedt

    Choreography: Inger Cecilie Bertrán de Lis

    Set design: Con Mehlum

     

    Photo: Iván Kverme

  • Brecht Bang, Caféteateret, Oslo 2008

     

    A musical performance based in themes surrounding ”the seven deadly sins”.

    Exchange of texts and thoughts between Bjørneboe and Brecht.

     

    IdaLou, review

     

    Text:Bertolt Brecht/Jens Bjørneboe

    Direction: Kristin Kajander,

    Music: Kurt Weill/Hanns Eisler

    Musician: Ole Henrik Giørtz

    Actos:Kristin Kajander and Robert Skjærstad

    Choreography: Inger Cecilie Bertrán de Lis

     

     

     

  • Peer Gynt Award 2008, Vinstra

     

    A gala performance in connection with the Peer Gynt Award, which in 2008 was awarded to Snøhetta. The Peer Gynt Award recipient was honoured with a spectacular performance where the basic principle of the Peer Gynt gathering, where art meets the public, is key. The Peer Gynt Award goes to a person or institution that has made a positive mark on the societal level, and which has promoted Norway abroad.

     

    Direction: Erik Ulfsby

    Choreography: Inger Cecilie Bertrán de Lis

    Set design: Arne Nøst

     

  •  Pinocchio by Klaus Hagerup, Theatre Manu, Oslo 2009


    A theatre performance incorporating both sign language and speech.

     

    Direction: Mira Zuckermann,

    Set design: John-Kristian Alsaker,

    Choreography: Inger Cecilie Bertrán de Lis

     

    Photo: Caroline J. Roka

     

    Teater Manu, Pinocchio

     

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